Many European cities offer some kind of a visitors pass – a one-day or multi-day ticket that gives you access to major attractions, public transport and some discounts. I like these visitors passes as they allow my to do what I call “museum runs”. You see, I’ve been in so many museums that I sort of lost the patience for the slow strolling around that for some reason is the normal pace of museum-goers. It hurts my feet to shuffle around from one prolonged gaze at a painting to another. That’s why I sometimes revert to the museum run.
European cities usually have their (numerous) museums packed into the compact city centre or a convenient museum quarter. The high density of museums and the public transport access given by the pass allow me to squeeze as many museums as I can handle into a single day. On such a day, I do “cherry-picking” – in no way do I feel obliged to see the whole collection of a particular museum, but I rather head straight to the section or exhibition that I find interesting, skipping the rest. This way, and by walking in a normal pace (considered sacrilegious by the other visitors, judging by the dirty looks they always give me), I spent an average of half an hour per venue, and I can go to up to 10 museums in a day.
The fun part of a museum run is that I get to skip all those badly painted Madonna’s with baby Jesus (who is always painted as a 4-year old rather than a newborn), and focus on the stuff that I like. And get a varied museum experience, skipping from Indian painting of the 19th century to a tram museum to modern installations exhibition. I mean, I enjoy seeing Indian paintings of the 19th century, but after half an hour they become more of the same. So switching themes helps me to stay sharp in my consumerism of culture. And if a museum is boring, or not what I have expected – I just skip to the next one, without hard feelings.
On my museum runs I often shut myself from the world outside by playing some high-bpm audio content in my headphones. The music helps me ignore the other visitors (especially handy on Sundays) and I can also concentrate more on the visual perceptions – museums are mostly about seeing, not hearing.
Since I live in a country with the highest museum density in the world, the opportunities for museum runs are endless here. With an annual museum card, I have free access to most of the museums and I’m doing my best to put it to good use. I’m not a multimillionaire, so I can’t buy a Rembrandt or a Vermeer. But I pay the taxes that sponsor the museums, and I have the museum card so its just as if I own them – I can go see them every day. Which reminds me – I should check on some of my favourite paintings. And since I live in a small European country, they’re not too far away.